READ MORE: ‘Westworld’ Website Easter Eggs Warn Visitors About ‘Accidental Death,’ Reveal Employee SecretsĬhief among them: The robots…well, they aren’t behaving normally. These two are the big idea men, and their intellectual experiments are playing out with fascinating results. Lowe (Jeffrey Wright), an emotionally-conflicted engineer loyal to Dr. Ford, the founder of Westworld who works alongside Dr. Head among the underground operators is Anthony Hopkins’ Dr. Polite, superficial debates are had among the park operators as to what guests are looking for, how best to provide it and why people come back. Want to rob a bank, steal a horse or something far more explicit? Well, there are options for you, too.Īs you can imagine, these choices don’t just tell us about the guests who make the choices, but the people who provide every option. Looking to reenact “High Noon” without worrying about who draws first? Don’t worry. Do you like that attractive damsel at the bar? Well, it’s guaranteed she likes you, too. There are hard and fast rules, but guests are encouraged to explore the limitations put forth by the park in order to discover new aspects of themselves. To say “anything is on the table” within “Westworld” would be an understatement as well as a white lie.
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READ MORE: ‘Crisis in Six Scenes’ Review: Woody Allen Takes the Money and Bombs in TV Debut Robots are referred to as “hosts,” the park’s human visitors are the “guests” and the world within these undefined walls takes both parties’ typical duties to the extreme.
Packed to the britches with ideas, mysteries and characters, “Westworld” swirls them through a core plot that instinctively feels far more simple-minded: Sometime in the future, a western theme park filled with robots indistinguishable from human beings has been created as a vacation destination for those wealthy enough to afford its many delights. With so many questions stacking up so quickly and answers spaced out to appease the serialized format, the first four episodes make for a fascinating if slightly bumpy expedition. Ambitious to the edge of a cliff, “Westworld” is an undeniably exciting journey into the future cast through a filter of the past. In thematic terms, the hour-long drama seems primarily concerned with mortality and its relation to morals - but nothing is off the table.
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“ Westworld,” HBO’s big budget, star-studded science-fiction series from Jonathan Nolan and Lisa Joy, is aiming to be one of the greats. While the central concept remains consistent, the philosophical quandaries derived from it - regarding humanity, mortality, faith and more - provide amble fodder for stimulating stories. Yet this idea still drives many a great story stories that can lead to illuminating discussions because of the potential in one big question. From “Blade Runner” to “Ex Machina,” “Battlestar Galactica” to “Humans,” the question of what happens when men ascend to god-like status by creating something (or someone) comparable to a human being dates back to Mary Shelley’s “Frankenstein” (if not before).
The idea that artificial intelligence will challenge our understanding of what’s real and what’s not is hardly a fresh conceit.